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This showcase exhibition places a focus on the play of light and the intense luminosity of stained-glass painting—an art form that flourished during the late Gothic and Renaissance periods, especially in Germany, Switzerland, and the Netherlands. It marks the first-ever presentation of the silver-staines unipartite panels of the Liberna Collection, which date from the fifteenth and sixteenth centuries.

The presentation addresses, for the first time, the iconographic and technical features of the windows as well as their history of creation.

How can we (survive) in the age of rapid climate change? The Draiflessen Collection is addressing this pressing question and exploring the state of affairs. During the planned period, the museum will offer different event formats such as lectures, workshops and excursions.

Sustainable design and guided tour of the exhibition THE FINAL BID.

Exclusive curator tours and talks with the artist | Draiflessen Collection and DA, Kunsthaus Kloster Gravenhorst

Michael Pinsky will give insight into his artistic work. work. In doing so, he will talk about things that inspire him, and will present other works of his besides THE FINAL BID. works. Afterwards we will walk through the exhibition.

Each of us has our own thoughts on what exactly constitutes a chair. And your ideas probably coincide largely with mine. If we disagree, we can always consult the Cambridge Dictionary. It describes a chair as “a seat for one person that has a back, usually four legs, and sometimes two arms.”

For the first time the Draiflessen Collection presents a dual exhibition spanning multiple eras and dedicated to two aspects of the same artistic medium: the various facets of glass as a material for window design and the fragile and fascinating art of glass painting on unipartite panels.