It marks the first ever presentation of the Liberna Collection’s Kabinettscheiben (Kabinett = small room; Scheiben = glass panes), often the central panes of leaded windows, from the fifteenth and sixteenth centuries

The Draiflessen’s storage facilities contain a vast number of items from the Draiflessen’s collection and archive – items that tell a particular story, fill in gaps, or represent an important discovery.

The bellicose rivalry between the leading maritime powers of England, Spain, and the Netherlands for supremacy in overseas trade was accompanied in the seventeenth century by the emergence of an independent genre of art: the seascape.

People have hope, cling to hope, lose hope, regain hope, or hopelessly despair. But what does hope mean?

Die Kabinettausstellung zeigt farbintensive, teils mit Gold gehöhte Auferstehungsszenen der Stunden- und Gebetsbücher einer deutschen Privatsammlung.

The way the Expressionist painter Emil Nolde (1867–1956) is perceived is shaped by past myth-creation and the present-day deconstruction of these myths, making Nolde a good example of just how era-dependent the appraisal of art is.