Special Exhibition | 22.03.2020 – 21.06.2020
Part 3 of the exhibition trilogy FAITH, LOVE, HOPE
People have hope, cling to hope, lose hope, regain hope, or hopelessly despair. But what does hope mean?
Showcase Exhibition | 04.03.2020 – 01.06.2020
Resurrection scenes – rendered in vivid colour, some with gold highlights – from books of hours and prayer books from a German private collection will be on display for this showcase exhibition.
Presentation | 04.03.2020 – 03.05.2020
Onkel Canterbumm – How an Advertising Character Made It into the Archive
The Draiflessen’s storage facilities contain a vast number of items from the Draiflessen’s collection and archive – items that tell a particular story, fill in gaps, or represent an important discovery.
Showcase Exhibition | 04.11.2020 – 28.02.2021
It marks the first ever presentation of the Liberna Collection’s Kabinettscheiben (Kabinett = small room; Scheiben = glass panes), often the central panes of leaded windows, from the fifteenth and sixteenth centuries
Showcase Exhibition | 18.06.2020 – 18.10.2020
The bellicose rivalry between the leading maritime powers of England, Spain, and the Netherlands for supremacy in overseas trade was accompanied in the seventeenth century by the emergence of an independent genre of art: the seascape.
Presentation | 13.05.2020 – 25.10.2020
The 1920s in C&A Advertisements
The fashion and spirit of the 1920s still fascinate, inspire, and capture imaginations today. As forms of mass media, magazines and newspapers disseminated the newest trends in countless articles and advertisements.
Presentation | 11.11.2020 – 28.02.2021
On the Unpredictability of Business Success
At first glance, the clothing trade and the film business do not seem to have much in common. In the 1920s, however, both sectors enjoyed an upswing – and businessman Bernhard Joseph Brenninkmeijer, co-owner of C&A, spotted an investment opportunity.
Special Exhibition | 11.10.2020 – 07.02.2021
The way the Expressionist painter Emil Nolde (1867–1956) is perceived is shaped by past myth-creation and the present-day deconstruction of these myths, making Nolde a good example of just how era-dependent the appraisal of art is.