In his installations, conceptual artist Mischa Kuball (b. 1959) shatters rigid interpretive models and lays bare the many-layered overlapping structures of the production and perception of art. Kuball’s scrutiny of the artist Emil Nolde (1867–1956) as historical and highly contradictory figure opens up discursive spaces.

The bellicose rivalry between the leading maritime powers of England, Spain, and the Netherlands for supremacy in overseas trade was accompanied in the seventeenth century by the emergence of an independent genre of art: the seascape.

At first glance, the clothing trade and the film business do not seem to have much in common. In the 1920s, however, both sectors enjoyed an upswing – and businessman Bernhard Joseph Brenninkmeijer, co-owner of C&A, spotted an investment opportunity.